Arita Ware

A fine example of early Arita ware, showcasing the crisp cobalt blue brushwork and elegant form that defined Japanese porcelain in the 17th–18th centuries.

Umumiy ko'rinish

Arita buyumi (kāngāīān, Arita-yaki) - 17-asr boshlarida Kyushu orolidagi Saga prefekturasida joylashgan Arita shahrida paydo bo'lgan mashhur yapon chinni uslubi. O'zining nozik go'zalligi, nozik rasmlari va global ta'siri bilan mashhur bo'lgan Arita buyumlari Yaponiyaning birinchi chinni eksportlaridan biri bo'lib, Sharqiy Osiyo keramikasi haqidagi Evropa tasavvurlarini shakllantirishga yordam berdi.

U o'zining xususiyatlari bilan ajralib turadi:

• Oq chinni asosi

• Kobalt ko'k sir ostida bo'yash

• Keyinchalik, ko'p rangli sirlangan sirlar (aka-e va kinrande uslublari)

Tarix

1600-yillarning boshlarida kelib chiqqan

Arita buyumlarining hikoyasi taxminan 1616-yilda Arita yaqinida chinni buyumlarining asosiy tarkibiy qismi bo‘lgan kaolinning topilishi bilan boshlanadi. Bu hunarmandchilikni Koreya kulollari “Yi Sam-pyong” (shuningdek, Kanagae Sanbei nomi bilan ham tanilgan) kiritgan bo‘lib, u Koreyaga majburan olib kirilganidan keyin Yaponiyaning chinni sanoatiga asos solgan. (1592–1598).

Edo davri: mashhurlikka ko'tarilish

17-asrning o'rtalariga kelib, Arita buyumlari ichki va chet elda hashamatli buyum sifatida o'zini namoyon qildi. Imari porti orqali u Gollandiyaning Sharqiy Hindiston kompaniyasi (VOC) tomonidan Evropaga eksport qilindi, u erda Xitoy chinni bilan raqobatlashdi va G'arbiy keramikaga katta ta'sir ko'rsatdi.

Meiji davri va zamonaviy kun

Arita kulollari o'zgaruvchan bozorlarga moslashgan, Meidji davrida G'arb texnikasi va uslublarini o'z ichiga olgan. Bugungi kunda Arita an'anaviy usullarni zamonaviy innovatsiyalar bilan uyg'unlashtirgan nozik chinni ishlab chiqarish markazi bo'lib qolmoqda.

Arita Ware xususiyatlari

Materiallar

1. Kaolin is mined, crushed, and refined to produce a workable porcelain body.
2. Craftsmen form vessels using hand-throwing or molds, depending on the complexity and shape.
3. Pieces are dried and fired to harden the form without glaze.
4. Underglaze designs are applied with cobalt oxide. After glazing, a second high-temperature firing vitrifies the porcelain.
5. For multicolored versions, enamel paints are added and fired again at lower temperatures (~800°C).

• Izumiyama kareridan kaolin loyi

• 1300°C atrofida yuqori haroratda yondiriladi

• Bardoshli, vitrifikatsiyalangan chinni korpus

• “Arita ware,” *Wikipedia, The Free Encyclopedia*, accessed 07.08.2025, article version as of mid‑2025.
• Impey, Oliver R. “Arita ware” in *Japanese Art from the Gerry Collection in The Metropolitan Museum of Art*, Metropolitan Museum of Art, 1989.
• “Hizen Porcelain Kiln Sites,” Wikipedia, The Free Encyclopedia, accessed 07.08.2025.
• “Imari ware,” Wikipedia, The Free Encyclopedia, accessed 07.08.2025.
• “Kakiemon,” Wikipedia, The Free Encyclopedia, accessed 07.08.2025.

Audio

Language	Audio
English