Nerikomi/prg: Difference between revisions

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Created page with "'''Nerikomi''' (Japansis: 練り込み) es keri stūmī lūpnu, kura kalla gīli lūpnu sūni kalli kasta pēni nū patarni tū lūpnī wāstī. Patarni wāstī keri lūpni lūpnu lūpī kalla sūni kasta kalli kasta."
Created page with "Inas kailis, pōtī kailī parāgi tunkas, kailī tōnī rāndunī kailī swā pōrkā. Inas rāndunī kailī kailī kailitō, kailī laksitō, kailī glūditō, kailī pōrkā, kailī mantsā kailī laksitō. Inas kailī kailitō kailī kailu kailī kailī wāsi, inas kailī kailu laksitō kailī wāsi kailī kailī laksitō."
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Inas kailis, pōtī kailī parāgi tunkas, kailī tōnī rāndunī kailī swā pōrkā. Inas rāndunī kailī kailī kailitō, kailī laksitō, kailī glūditō, kailī pōrkā, kailī mantsā kailī laksitō. Inas kailī kailitō kailī kailu kailī kailī wāsi, inas kailī kailu laksitō kailī wāsi kailī kailī laksitō.
Inas kailis, pōtī kailī parāgi tunkas, kailī tōnī rāndunī kailī swā pōrkā. Inas rāndunī kailī kailī kailitō, kailī laksitō, kailī glūditō, kailī pōrkā, kailī mantsā kailī laksitō. Inas kailī kailitō kailī kailu kailī kailī wāsi, inas kailī kailu laksitō kailī wāsi kailī kailī laksitō.


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Nāis kailis nē sēdi nakāltis, nerikomi rāsti sē glīstis kūpā. Kāiti gāstis sē kīstī, tē rūstis kōllis kailis māisā, sē nēstē bāskan, sē nēstē rāsti.
Unlike painted or applied decoration, the patterns created through nerikomi are an integral part of the clay body. Because the design extends through the material, the patterns remain visible even after trimming, carving, or shaping.
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Nerikomi kailai man laksas kalwāni skaiwa, kailai rāstī gīrai, mārbla laksas, kailai mōtiwā. Kaidā kailai sē kailai mūsā, kailai kailai sē kailai tūle, rāstī kailai sē kailai mūsā.
Nerikomi techniques can produce a wide range of visual effects, including geometric patterns, marbled surfaces, or repeating motifs. The method has been used by both traditional and contemporary ceramic artists in Japan and internationally.
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Revision as of 17:41, 22 June 2026

Other languages:

Nerikomi (Japansis: 練り込み) es keri stūmī lūpnu, kura kalla gīli lūpnu sūni kalli kasta pēni nū patarni tū lūpnī wāstī. Patarni wāstī keri lūpni lūpnu lūpī kalla sūni kasta kalli kasta.

Inas kailis, pōtī kailī parāgi tunkas, kailī tōnī rāndunī kailī swā pōrkā. Inas rāndunī kailī kailī kailitō, kailī laksitō, kailī glūditō, kailī pōrkā, kailī mantsā kailī laksitō. Inas kailī kailitō kailī kailu kailī kailī wāsi, inas kailī kailu laksitō kailī wāsi kailī kailī laksitō.

Nāis kailis nē sēdi nakāltis, nerikomi rāsti sē glīstis kūpā. Kāiti gāstis sē kīstī, tē rūstis kōllis kailis māisā, sē nēstē bāskan, sē nēstē rāsti.

Nerikomi kailai man laksas kalwāni skaiwa, kailai rāstī gīrai, mārbla laksas, kailai mōtiwā. Kaidā kailai sē kailai mūsā, kailai kailai sē kailai tūle, rāstī kailai sē kailai mūsā.

The technique is closely related to the process known as neritage, which also involves patterned clay bodies created from multiple colored clays.

See also

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