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	<title>Tango Fujifu/en - Revision history</title>
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		<title>FuzzyBot: Updating to match new version of source page</title>
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		<summary type="html">&lt;p&gt;Updating to match new version of source page&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;languages /&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Tango Fujifu&amp;#039;&amp;#039;&amp;#039; (丹後藤布) is a traditional Japanese textile woven from the fibers of the &amp;#039;&amp;#039;&amp;#039;wisteria vine&amp;#039;&amp;#039;&amp;#039; (&amp;#039;&amp;#039;Wisteria floribunda&amp;#039;&amp;#039; / &amp;#039;&amp;#039;Wisteria brachybotrys&amp;#039;&amp;#039;). It is produced primarily in the Tango region of northern [[Kyoto Prefecture]]. Fujifu is valued for its warm, slightly glossy surface, natural irregularity, and its deep historical connection to mountain village life. As with other bast-fiber textiles, production requires highly specialized hand-processing of plant fibers.&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
The use of wisteria fibers for textiles has ancient roots in the Japanese archipelago, with origins attributed to the &amp;#039;&amp;#039;&amp;#039;Jōmon period&amp;#039;&amp;#039;&amp;#039;. By the Nara and Heian periods, fujifu appears in imperial records as a material used for garments, cords, and ceremonial items.&lt;br /&gt;
&lt;br /&gt;
In remote mountain regions such as Tango, wisteria textile production persisted well into the Edo period as a vital clothing source where silk and cotton were scarce. The craft declined sharply in the Meiji period due to industrialization and rural depopulation. 20th-century ethnographers and members of the Mingei (folk craft) movement documented surviving techniques and helped preserve them.&lt;br /&gt;
&lt;br /&gt;
== Materials ==&lt;br /&gt;
Tango fujifu is woven from &amp;#039;&amp;#039;&amp;#039;fibers extracted from the inner bark of the wisteria vine&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
The fiber preparation process is labor-intensive:&lt;br /&gt;
# Mature wisteria vines are harvested.&lt;br /&gt;
# Bark is steamed and peeled; the inner layer is separated.&lt;br /&gt;
# Fibers are washed, pounded, softened, and combed.&lt;br /&gt;
# Fine strands are &amp;#039;&amp;#039;&amp;#039;hand-twisted&amp;#039;&amp;#039;&amp;#039; into long continuous threads.&lt;br /&gt;
&lt;br /&gt;
The resulting yarn is:&lt;br /&gt;
* Strong&lt;br /&gt;
* Slightly elastic&lt;br /&gt;
* Softly lustrous&lt;br /&gt;
&lt;br /&gt;
== Technique ==&lt;br /&gt;
Traditional fujifu weaving involves:&lt;br /&gt;
* Hand-twisted bast yarns&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Plain weave&amp;#039;&amp;#039;&amp;#039; structures, sometimes with subtle weft variation&lt;br /&gt;
* Natural dyeing, including &amp;#039;&amp;#039;&amp;#039;indigo&amp;#039;&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;madder&amp;#039;&amp;#039;&amp;#039;, and &amp;#039;&amp;#039;&amp;#039;plant-derived browns&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
Because of the natural variation in fiber thickness, the finished textile shows:&lt;br /&gt;
* Fine irregular texture&lt;br /&gt;
* Depth of tone&lt;br /&gt;
* Organic surface rhythm&lt;br /&gt;
&lt;br /&gt;
Fujifu is typically supple and breathable, suitable for clothing and accessories.&lt;br /&gt;
&lt;br /&gt;
== Cultural Significance ==&lt;br /&gt;
Fujifu embodies:&lt;br /&gt;
* Self-sufficient mountain craft culture&lt;br /&gt;
* Intimate ecological knowledge of local forests&lt;br /&gt;
* Transmission of skills through women’s communal labor&lt;br /&gt;
&lt;br /&gt;
Its survival is considered culturally significant due to its connection to &amp;#039;&amp;#039;&amp;#039;pre-silk and pre-cotton textile economies&amp;#039;&amp;#039;&amp;#039; in Japan.&lt;br /&gt;
&lt;br /&gt;
== Modern Status ==&lt;br /&gt;
Today, Tango fujifu is produced at small scale by:&lt;br /&gt;
* Local artisan workshops&lt;br /&gt;
* Cultural preservation societies&lt;br /&gt;
* Textile researchers&lt;br /&gt;
&lt;br /&gt;
Uses now include:&lt;br /&gt;
* Kimono accessories&lt;br /&gt;
* High-end clothing textiles&lt;br /&gt;
* Contemporary fiber art&lt;br /&gt;
&lt;br /&gt;
Its rarity and intensive labor requirements make it a valued collector’s and museum textile.&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Shinafu]]&lt;br /&gt;
* [[Kuzu-fu]]&lt;br /&gt;
* [[Bashōfu]]&lt;br /&gt;
* [[Ramie and bast-fiber textiles]]&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
* 丹後藤布保存会『丹後藤布：技と歴史』京都, 2012.&lt;br /&gt;
* 竹内美智子（M. Takeuchi）『日本の伝統織物事典』平凡社, 2014.&lt;br /&gt;
* 日本民藝館 編『民藝の布』日本民藝協会, 2006.&lt;br /&gt;
&lt;br /&gt;
[[Category:Textiles]]&lt;br /&gt;
[[Category:Kyoto Prefecture]]&lt;br /&gt;
[[Category:Japanese folk textiles]]&lt;br /&gt;
[[Category:Bast-fiber textiles]]&lt;br /&gt;
[[Category:Weaving]]&lt;/div&gt;</summary>
		<author><name>FuzzyBot</name></author>
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