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	<title>Kurume Kasuri/en - Revision history</title>
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	<updated>2026-10-19T22:41:01Z</updated>
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		<summary type="html">&lt;p&gt;Updating to match new version of source page&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;languages /&amp;gt;&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Kurume Kasuri&amp;#039;&amp;#039;&amp;#039; (久留米絣) is one of Japan’s most historically influential and widely recognized forms of &amp;#039;&amp;#039;&amp;#039;kasuri&amp;#039;&amp;#039;&amp;#039; (ikat) textile. Centered in and around the city of [[Kurume]] in [[Fukuoka Prefecture]] on the island of Kyushu, Kurume Kasuri is known for its soft cotton texture, hand-tied resist-dye patterning, and rhythmic geometric designs. It became a major everyday garment fabric during the 19th and early 20th centuries and remains an iconic regional craft.&lt;br /&gt;
&lt;br /&gt;
== History ==&lt;br /&gt;
Kurume Kasuri originated in the early 19th century. According to tradition, the technique was developed by a young girl named &amp;#039;&amp;#039;&amp;#039;Inoue Den (井上伝, 1788–1869)&amp;#039;&amp;#039;&amp;#039;, who noticed patterned effects emerging when old indigo-dyed thread was rewoven. Her discovery evolved into a systematic practice of &amp;#039;&amp;#039;&amp;#039;dying threads before weaving&amp;#039;&amp;#039;&amp;#039; to create designs in the finished cloth.&lt;br /&gt;
&lt;br /&gt;
Kurume’s location—at the intersection of river transport and agricultural cotton-growing areas—allowed the textile to spread rapidly. By the late Edo period, Kurume Kasuri had become a major craft industry, involving:&lt;br /&gt;
* Thread-spinning households&lt;br /&gt;
* Indigo-dye workshops&lt;br /&gt;
* Weaving cooperatives&lt;br /&gt;
* Regional merchant networks&lt;br /&gt;
&lt;br /&gt;
In the Meiji and Taishō eras, Kurume Kasuri was widely used for everyday kimono, work clothing, and informal garments.&lt;br /&gt;
&lt;br /&gt;
== Materials ==&lt;br /&gt;
Kurume Kasuri is woven primarily from:&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Cotton&amp;#039;&amp;#039;&amp;#039; (手紡ぎ → later machine-spun)&lt;br /&gt;
&lt;br /&gt;
Indigo has historically been the dominant dye:&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Natural indigo vats&amp;#039;&amp;#039;&amp;#039; (灰汁建て) were standard until the 20th century&lt;br /&gt;
* Today, both natural and synthetic indigo are used depending on workshop tradition&lt;br /&gt;
&lt;br /&gt;
== Technique ==&lt;br /&gt;
Kurume Kasuri is characterized by:&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Tate kasuri&amp;#039;&amp;#039;&amp;#039; (warp ikat), &lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Yoko kasuri&amp;#039;&amp;#039;&amp;#039; (weft ikat), and &lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Tate-yoko kasuri&amp;#039;&amp;#039;&amp;#039; (combined warp and weft ikat)&lt;br /&gt;
&lt;br /&gt;
Threads are:&lt;br /&gt;
1. &amp;#039;&amp;#039;&amp;#039;Tied&amp;#039;&amp;#039;&amp;#039; in patterned bundles&lt;br /&gt;
2. &amp;#039;&amp;#039;&amp;#039;Dyed&amp;#039;&amp;#039;&amp;#039;, traditionally in natural indigo&lt;br /&gt;
3. &amp;#039;&amp;#039;&amp;#039;Untied&amp;#039;&amp;#039;&amp;#039; to reveal resist patterns&lt;br /&gt;
4. &amp;#039;&amp;#039;&amp;#039;Aligned&amp;#039;&amp;#039;&amp;#039; carefully on the loom&lt;br /&gt;
5. &amp;#039;&amp;#039;&amp;#039;Woven&amp;#039;&amp;#039;&amp;#039; to form designs that appear in the finished cloth&lt;br /&gt;
&lt;br /&gt;
Typical motifs include:&lt;br /&gt;
* Checks and grids&lt;br /&gt;
* Diamonds and stepping-stone patterns&lt;br /&gt;
* Repeating geometric sequences&lt;br /&gt;
* Small-scale figurative or symbolic designs&lt;br /&gt;
&lt;br /&gt;
The cloth is known for being:&lt;br /&gt;
* Soft, breathable, and comfortable in daily wear&lt;br /&gt;
* Visually rhythmic and balanced in pattern&lt;br /&gt;
&lt;br /&gt;
== Cultural Significance ==&lt;br /&gt;
Kurume Kasuri embodies:&lt;br /&gt;
* The material culture of 19th-century everyday Japan&lt;br /&gt;
* Women&amp;#039;s domestic craft innovation (associated with Inoue Den)&lt;br /&gt;
* The evolution of kasuri into a widespread regional industry&lt;br /&gt;
&lt;br /&gt;
It is one of the &amp;#039;&amp;#039;&amp;#039;three great kasuri traditions&amp;#039;&amp;#039;&amp;#039; of Japan, alongside:&lt;br /&gt;
* [[Iyo Kasuri]] (Ehime Prefecture)&lt;br /&gt;
* [[Bingo Kasuri]] (Hiroshima Prefecture)&lt;br /&gt;
&lt;br /&gt;
== Modern Status ==&lt;br /&gt;
Kurume Kasuri continues to be woven by:&lt;br /&gt;
* Artisan cooperatives&lt;br /&gt;
* Small family workshops&lt;br /&gt;
* Cultural preservation guilds&lt;br /&gt;
&lt;br /&gt;
Contemporary applications include:&lt;br /&gt;
* Kimono and haori&lt;br /&gt;
* Clothing fabric for fashion brands&lt;br /&gt;
* Textile art and interior goods&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Kasuri]]&lt;br /&gt;
* [[Iyo Kasuri]]&lt;br /&gt;
* [[Bingo Kasuri]]&lt;br /&gt;
* [[Japanese cotton textiles]]&lt;br /&gt;
* [[Indigo dyeing in Japan]]&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
* 久留米絣技術保存会『久留米絣の技法と意匠』久留米, 2013.&lt;br /&gt;
* 竹内美智子（M. Takeuchi）『日本の伝統織物事典』平凡社, 2014.&lt;br /&gt;
* 日本民藝館 編『民藝の布』日本民藝協会, 2006.&lt;br /&gt;
&lt;br /&gt;
[[Category:Textiles]]&lt;br /&gt;
[[Category:Fukuoka Prefecture]]&lt;br /&gt;
[[Category:Japanese folk textiles]]&lt;br /&gt;
[[Category:Cotton textiles]]&lt;br /&gt;
[[Category:Ikat textiles]]&lt;br /&gt;
[[Category:Weaving]]&lt;/div&gt;</summary>
		<author><name>FuzzyBot</name></author>
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