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==Definition and Scope==
Aizu Ningyō are traditional Japanese dolls originating from the Aizu region, characterized by their solid forms, restrained expressions, and close association with regional folk culture. The craft occupies a position between ceremonial dollmaking and vernacular decorative traditions, emphasizing durability, symbolic clarity, and local identity.

Aizu Ningyō are not festival-specific dolls but regional craft objects intended for domestic display and gift exchange.

==Historical Development==
The development of Aizu Ningyō is closely linked to the Edo period, when the Aizu domain emerged as a culturally distinct and politically significant region. Dollmaking in Aizu evolved under conditions of relative geographic isolation, which contributed to the preservation of conservative forms and materials.

During the late Edo and early modern periods, Aizu Ningyō became established as a recognizable regional craft. Production continued through periods of social transformation, adapting modestly to changing tastes while retaining a strong regional character.

==Formal Characteristics==
Aizu Ningyō are characterized by:
* Compact, stable proportions
* Simplified bodily forms
* Calm, reserved facial expressions

Figures often represent children, everyday characters, or symbolic figures rather than courtly or heroic subjects. Visual emphasis is placed on balance and solidity rather than movement or narrative detail.

Surface decoration is restrained, favoring clarity and legibility over ornamentation.

==Materials and Craftsmanship==
Traditional Aizu Ningyō are produced using composite construction methods, often combining wood or molded cores with hand-applied surface finishes. Faces are typically coated with gofun, providing a smooth, pale surface that contrasts with darker costume elements.

Costumes may be painted directly onto the body or applied as simplified textile garments, depending on workshop practice and period. The craft prioritizes structural integrity and longevity over elaborate detailing.

==Cultural Context==
Aizu Ningyō function as expressions of regional identity and continuity. They are associated with household display, seasonal renewal, and the reinforcement of local traditions rather than formal ritual performance.

Their understated appearance reflects the values historically associated with the Aizu region, including discipline, restraint, and perseverance.

==Regional Characteristics==
Fukushima Prefecture, particularly the Aizu area, is the historical center of this craft. Local workshops developed distinctive forms that differentiate Aizu Ningyō from other northern Japanese doll traditions.

==Preservation and Contemporary Practice==
Preservation efforts focus on maintaining surface stability and preventing material fatigue caused by humidity and temperature fluctuations. Contemporary artisans continue to produce Aizu Ningyō in limited quantities, often adhering closely to established regional models.

The craft remains an important representative of Tōhoku regional dollmaking traditions.

[[Category:Aizu Ningyō]]
[[Category:Fukushima Prefecture]]
[[Category:Tōhoku Region]]
[[Category:Edo period]]
[[Category:Modern period]]
[[Category:Japanese folk culture]]
[[Category:Dollmaking]]